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Bloch Performing Arts Inc

The producing entity at West End Lyric

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Here’s some fast facts:

  • Bloch Performing Arts is for-profit education as the home of The Bloch Voice Studio, The Franklin Voice Studio, and The Mayer Piano Studio.

  • Bloch Performing Arts also supports West End Lyric in-kind, and is the primary contact if you are interested in organizing a production of your own design.

  • West End Lyric is fiscally sponsored by the non-profit 501(c)3 BackRoom Boston, which is able to accept tax-deductible donations, should you be interested in supporting local performances in Boston’s West End and beyond.

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Jessica Bloch in a red strapless gown standing on a foot bridge in the Boston Public Garden

Upcoming 2024-2025 Productions at West End Lyric

West End Lyric is pleased to participate in the Card to Culture program, a collaboration between Mass Cultural Council and the Department of TransitionalAssistance, the Massachusetts Health Connector, and the Women, Infants & Children (WIC) Nutrition Program by extending discounts to EBT, WIC, and ConnectorCare cardholders.

  • For admission-based performances, admission is free with an eligible EBT card.

  • For admission-based performances, admission is free with an eligible WIC card.

  • For admission-based performances, admission is $5 (unlimited) with a ConnectorCare card.

See the complete list of participating organizations offering EBT, WIC, and ConnectorCare discounts.

A group of professional opera singers

Past Events Produced

Cast: Joel Clemens, baritone | Jessica Arielle Bloch, soprano | Marcus Schenck, actor | Rafe Schaberg, piano

For a Look or a Touch performance graphic

Stage Director: Jessica Bloch-Moisand
Music Director: Alfonso Piacentini

L'Amico Fritz performance graphic
The Women of Tin-Pan Alley,
February 25th 2024 at 4pm

Fundraising Concert featuring the women of West End Lyric

Director: Akela Franklin

Women of Tin Pan Alley Cabaret

Stage Director: Hannah Shanefield
Music Director: Julian Gao

The Card Game by Antonio Caldara and The Coffee Cantata by J.S. Bach
A woman singing wearing a long floral dress and another woman in a dress and tights playing the piano

Cast: Brendan Buckley, tenor | Julia Pottinger, soprano | Joel Clemens, baritone | Jessica Arielle Bloch, soprano | Yukiko Oba, piano
In-kind support given by Backroom Boston at The Boston Synagogue.

La Commedia, February 2023

Cast: David Thomas Mather, baritone | Jessica Arielle Bloch, soprano | Bahar Soyoz, piano 
Set Designer/Sculpture Artist: Anna Fubini
In-kind support given by Backroom Boston at The Boston Synagogue.

Four singers sitting together
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Special Project: We Will Outlive Them… Letters to Rivka from Galicia
Commissioned by Jessica Bloch-Moisand
Translated Text by Hannah Baer
Composed by Quinn Gutman

Introduction & History: 

Rivka Teitel is my Great-grandmother, and a daughter, sister, aunt, or cousin to each of the people behind the letters of We Will Outlive Them… Letters to Rivka from Galicia. Just before the first world war, Rivka fled to the United States of America from Galicia (a part of the former Austro-Hungarian Empire, and now parts of modern day Poland and Ukraine). Galicia was also an area where many Jews settled during various times in the diaspora.

 

Moshe Zeider, the voice of these first two letters, was Rivka’s father, and wrote his letters to Rivka while at the end of his life. In his younger years, he had been the Jewish representative for his region of Galicia at Emperor Franz Joseph’s Court of the Austro-Hungarian Empire. But as tolerance for the Jewish people lessened, and the empire declined into World War One, the family began to decline as well. In his first letter, Moshe is worried about surviving winter, his wife’s illness, the taxes specifically on Jewish people for existing, his children finding successful marriages, and Israel’s financial antics (one of Rivka’s brothers). Moshe also reveals that their house was burned down, a popular hate crime towards Jewish people at the time. Not long after, Moshe passes, and the subsequent letters are from Rivka’s family members revealing the gravity of their persecution as they try to flee Galicia. A couple years after World War Two, the Soviet Union responds to an inquiry Rivka sent about her family, and they reveal that they were killed in Russian-occupied Ukraine pogroms. 

 

Though the Zeider family story does not have a happy ending, there is hope. Moshe repeats many times that he wishes his grandchildren to live long, and I’m happy to report they did! My grandpa David, Rivka’s son, is now 96 years young, and his two sisters also lived into their late 90’s. My grandpa told me that Great-Grandmother Rivka’s biggest regret was not being able to bring her family to the United States. So in many ways, these pieces are my way of bringing them here and giving them a voice.

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Blue flower

Vision:

In order for the performance of this work to be affordable and successful by all who seek to share the Zeider family story, Jessica and Quinn are creating three options for performance:

  1. Song Cycle for treble voice & piano

  2. Semi-staged Song Cycle for multiple voices & piano

  3. Semi-staged chamber work for multiple voices & chamber orchestra

 

Once all is completed in English, then the original Yiddish will be deciphered and set to the melody.

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Recordings:

1. From Moshe: Dearly beloved children…

Performed June 4, 2023 at The Boston Synagogue

Opening piece for VOICES Boston’s Brundibar

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4. Third Letter from Moshe: My dear... 

Recorded for January 20, 2024 with Sparks and Wiry Cry

New York City SongSlam â€‹â€‹

 

Updates forthcoming. The premiere of this work occurred May 5, 2024 with West End Lyric at The Boston Synagogue.

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